Выход персонажа из сцены. «Вместо реплики Моники можем мы сделать его выход из сцены?»

Сценарий, написанный специально для телевидения.

Кадр, в котором персонаж или реквизит занимает большую часть кадра. Часто используется для драматического эффекта или для привлечения внимания зрителя к чему-либо.

EXIT LINE

A character’s last line as he or she exits a scene . “I hate Joey’s exit line. Can we do a recall on the hoagie business?»

Источник: Glossary | A ton of useful information about screenwriting from screenwriter John August.

SPLIT-SCREEN

A shot that is “cut» down the middle of a frame to illustrate action happening at the same time, but in two different locations.

Источник: Glossary | A ton of useful information about screenwriting from screenwriter John August.

DOCU-DRAMA

A film that tells the true story of a historical event (e.g. Schindler’s List, Tora! Tora! Tora!, Gettysburg).

Источник: Glossary | A ton of useful information about screenwriting from screenwriter John August.

OUT

The moment or manner the writer ends a particular scene . («Could we find a better out for the dinner party scene?») See IN .

Источник: Glossary | A ton of useful information about screenwriting from screenwriter John August.

During production, the area where most of the trailers are located. Sometimes base camp is several miles away from the set.

BUY

To understand and accept the logic of an assertion. “I buy that the hooker didn’t want to call the cops, but I don’t buy she would actually bury the body herself.»

Источник: Glossary | A ton of useful information about screenwriting from screenwriter John August.

IN

The moment or manner the writer begins a particular scene . («Could we come in later to the party scene, after Rich has eaten atomic goldfish?») See OUT .

Источник: Glossary | A ton of useful information about screenwriting from screenwriter John August.